Apanaeva Guzel Makhmudovna Biography

The story of the amazing fate of the folk dance ensemble Igor Moiseev - the hallmark of our country, the whole world applauds him. The founder of a special genre in choreographic art, Igor Moiseev brought the folk dance to perfection, putting it on a par with ballet classics. There are numbers in the ensemble repertoire that are set almost 70 years ago, but they are also loved by the public today - all Moiseevtsev’s concerts are held with Angels.

The distinctive features of the I. Moiseev dance school are high professionalism, virtuoso technology, the ability to transmit the improvisational nature of folk performance. Its graduates are universal artists who are fluent in all types of dance. The dancer of the Moiseevsky school is the best recommendation anywhere in the planet, in any choreographic team. Moiseev always avoided calling the names of his dancers: "You will allocate some, others will be offended.

The ensemble means together." But behind each name in the programs of different years is a string of bright stage images, beloved by several generations of spectators. Among them, the name of the former leading the soloist of the ensemble, People's Artist of Russia, Gysel Makhmudovna Apanaeva, who has been from the year of the Studio School at the State Academic Ensemble of People's Dance under the leadership of I.

Speaking in the ensemble since the year, Gusel Makhmudovna, thanks to excellent natural data and bright temperament, took the place of one of the leading soloists. Moses put many dances on her. In each exit on the scene, the audience did not leave indifferent its eccentric, then lyrical, then characteristic plastic. Since the years, Gysel Apanaeva passed into the state choreographic ensemble "Young Ballet", which specializes in the classic dance, also created by Igor Moiseev.

In the choreographic suite "Poetry of Senses" - "The Increction of Love" Guseel Makhmudovna was the first partner of Alexander Godunov. In the ensemble of folk dance, she worked for 34 years, while the average experience of the artist is 20 years. Ismagil Apanaev traded leather, wool and fur, had a shop in the Chinese series of Gostiny Dvor. His son is Musa Ismagilovich - the owner of the tanning plant, the judge of the conscientious court.

Muhammad Musinovich Apanaev, the owner of the soap factory, was elected in the years the chairman of the Tatar Town Hall. Yusup Ismagilovich Apanaev after - the owner of the tanny and soap factories. In years he contained a printing house, in the vowel of the Kazan City Duma was elected. Muhammadbadretdin Abdulkarimovich Apanaev after - the owner of the soap factory.

In the years he was elected vowel of the Kazan City Duma, in was the chairman of the board of "the Society of Manual to the poor Muslims of the city of Kazan." For the expense of the merchants of the Apanaevs for a long time, the second cathedral, or Boyskaya mosque of Kazan, which later received another name - the Apanaevskaya mosque, was contained. Gysel Apanaeva was born in Moscow, where her parents moved even before the Great Patriotic War.

Father - Makhmud Rashidovich Apanaev - came to the capital from Kazan, where he graduated from the Tatar pedagogical college, continued his studies in Moscow. In the capital, he met his future wife - Zainab Gibadullovna Khabibullina, originally from Orenburg. The Apanevs worked in the capital's Tatar schools - Mahmud Rashidovich led mathematics, and Zainab Gibadullovna taught in elementary grades.

After the war, the Tatar schools closed, and the Apanaev family offered to go to the periphery. Parents of Gysel Makhmudovna, deciding to stay in the capital, were forced to change the profession. Makhmud Apanaev went to work as a turner at the plant, and Zaynab Gibadulovna worked as a corrector in the publishing house of foreign and national dictionaries. Brother Gysel Makhmudovna - Shamil Apanaev - artist, graduate of the art school named after the year and the architectural institute.

Before that, I could not even imagine that there are such unearthly creatures as ballerinas. They still stand in front of my eyes in pink and yellow bundles. At home, I tried to imitate them, tried to repeat their movements. At that time, the information about the ballet was very scarce - neither magazines with photographs, and we did not have a TV either. I did not believe that my dream would someday come true.

My parents, feeling my craving for ballet, took me to the city house of pioneers, which was at the Kirovskaya metro, where there was a dance studio. But, due to the fact that I did not have any preparation, I did not act in the first year. It was necessary to dance, but I knew nothing. But I decided not to give up. In the summer, I enrolled in the pioneer camp in the ballet circle to learn some dance and a year later to try my happiness in the house of the pioneers.

Returning home, I trained my own daily for a whole year. A year later, she acted, however, I was never asked to dance. My first teacher was Elena Romanovna Rosse, from whom I studied for three years. You were not even asked to dance ... - In the first year of receipt, the female teacher was sick, and the group was recruited by the male teacher Vladimir Semenovich Konstantinovsky.

He watched only those who knew how to dance.And the next year, Elena Rossovna Rosse was already selected by the children, checking, first of all, data: step, jump and flexibility. My natural qualities easily allowed me to go through an entrance tour. So I ended up in a wonderful team. We performed in many concerts, were surprisingly liberated. The main thing is that the child is expressive and dancing, now I can say it as a teacher.

When we check the children on the introductory tours, it is important for us to see how the child moves to the music. Perhaps the dream of ballet would have remained just a dream, and my desire to dance remained at the level of the house of the pioneers if one of my friends had not told me that there was a set to the choreographic school at the Bolshoi Theater. Mom and I literally passed the necessary documents on the last day.

I was then 12 years old. Elena Romanovna treated me very well, but, nevertheless, among the children that she could recommend in the school did not include me. And when paperwork, the most unpleasant thing happened to me - my mother and I met Elena Romanovna and three girls whom she selected. At that moment, being a child, I did not even think about how I would return to the Pioneers' House, if I do not go to school.

But still, I managed to notice that Elena Romanovna did not like my act bypassing her. But, fortunately, I acted, but those girls are not. The selection took place in several stages. On the first round, having checked my data and learning that I was studying in the house of the pioneers, I, the only one of all the applicants, was asked to dance. I performed an Indian dance.

But the second round - I did not pass the medical because of myopia. Our profession is very complicated, requiring good health - a healthy heart so that there is no scoliosis, flat feet. And if there are small vision problems, work on the stage can aggravate them. Now this drawback is eliminated by lenses, but before they were not there. Doctors, seeing how I was upset, tried to console me in their own way: "You can do figure skating, gymnastics, but you cannot be a ballerina." Two weeks later, when I already began to get used to the idea that I would never become a ballerina, a car drove up to our house, and an unfamiliar man who came out of it, asked: “Where are the Apanaevs?

He asked to call my parents. We learned that they call me to the third round. It turns out that when viewing the applicants Lidia Rafailova, and where the girl was fulfilled. Indian dance? As a teacher, I note that any adopted commission wants to expel as many applicants as possible to leave the best. And on the medical round I was removed because there was something to complain about.

But Lidia Iosifovna, having agreed this with the medical commission, my mystery was small, convinced teachers to look at me again. Going into the yard, they asked one of the parents to go to our address and bring me. We did not have a phone at that time.

Mom immediately braided my mother, tied bows, crushed, and we went. I won’t say that I was some kind of miracle. But the commission bribed the expressive and emotional performance of my dance. The artistic director of the school Yuri Kondratov again asked to dance, and the teachers supported me, repulsing the rhythm on the table. A day later, the lists of the arrived hung. It had my name.

So Lidia Iosifovna turned out to be the person who helped to determine my creative fate. The state exams were attended by the leaders of the five metropolitan theaters of the Bolshoi Theater, the Stanislavsky Theater, the Operetta Theater, Birch and the I. ensemble I. Moiseev chose their favorite graduates. If none of the theaters invited the young artist to work, he had to go to the periphery in Saratov, Voronezh, Riga, etc.

But to stay initially in Moscow, there was, of course, the desire of many, if not all. Igor Moiseev chose Gusel Apanaev in his folk dance ensemble, although she was a graduate of the classic department. She had to retrain from a classic dancer to a folk dance dancer. The classic and folk dance is very different. Different music, plastic, body work. I still really like classics.

But since childhood, I have been a very disciplined person, and if I did something, I was completely laid out. Arriving at the ensemble, I gradually got involved in this work, found my charm in folk dances. And in the year Igor Alexandrovich created the troupe of the classic ballet "Young Ballet" now is the theater of classical ballet under the leadership of N. Kasatkina and V.