Kashif Tumasheva Biography

Kazan yesterday, today, tomorrow ”The story in the faces in January of the year would have turned the years of Kashif Zamaletinovna Tumasheva, the only director of a special education among Tatars. The publication of this amazing person for the newspaper Kazan Stories was prepared by her daughter, Zumarra Rakhimovna Khalitova. Photo from a family album. Zumarra Rakhimovna wrote a documentary about her mother, which was published in several numbers and years of the printed version of our newspaper against the wind.

In the year, the Ministry of Culture of the Tatar Autonomous Soviet Socialist Republic appointed Kashif Zamaletdinovna Tumashevu the main director of the Tatar Republican Mobile Theater, the Tatar Drama and Comedy named after Karim Tinchurin, from where it retired in the year. Tumasheva has equipped a creative team, picked up a repertoire, improved the quality of the actors.

Hundreds of performances were staged - in theaters, schools, on the radio, dozens of artists were trained. She prepared four for admission to the Theater Institute for the directorial and theater faculties. She helped organize amateur performances among the fighters, organized chef concerts in hospitals. In the most severe time, in the year, she joined the ranks of the party. In the year she graduated from the evening university of Marxism-Leninism.

Even during the years of collectivization, she carried out a large agitation and propaganda work, preparing cultural brigades “face to village”. In the year I went to Baltasi to establish the work of a local club. I organized a cultural brigade from local youth for servicing the population during the cleaning, bakery and sowing campaigns, for which she was awarded with an honorary diploma and a monetary prize.

Tumasheva did not calm down in retirement. She was a member of the Council of Veterans of the stage. When the Council organized a drama studio on a voluntary basis, she took the most active part in her complex, hard work. Together with other veterans scenes, qualified workers for theaters and other cultural institutions were trained by it. Graduates of the studio worked as artists and artistic director in Menzelinsky district, republican mobile theaters, and at the Kravok control factory.

Two entered the theater school to become directors of folkaters, two at the Moscow Circus School, some at the Institute of Culture. Constant practical assistance was provided by the director of amateur teams: as a member of the commissions, the jury, as a consultant. In the year in Arsk, she prepared 13 leaders of rural amateur performances. In the year, K. Kashif Zamaletdinovna Tumasheva was a model of determination of a person endowed with talent and extraordinary kindness, a fighting and fair character.

That is how everyone who knew her spoke about her, talked with her. Letters, telegrams, memoirs of colleagues, including recognized masters of theatrical art: Fatyma Ilskaya, Naki Isanbet, Hakim Salimzhanov, Riza Ishmuratov, Sania Ismagilov, Gata Nurullin - dozens and dozens, do not count. The Drama and Comedy Theater of Karim Tinchurin spent a wonderful anniversary evening in honor of the centenary of Kashifa Zamalenovno in January of the year, prepared under the leadership and with the direct creative participation of Taslavima Fayzullina, artist of the theater and teacher of the Academy of Culture.

She compiled a wonderful scenario, prepared an amazing, at the most modern level, design using the latest technical means, she herself participated in the jurisdiction of the program, and most importantly, prepared her students who not only showed acting abilities, but shocked the audience with the talented performance of the life of a little Kashifa and pleased with a peculiar interpretation of the final picture of the beloved performance of Tumasheva - “Khoja Nastadin”.

From the autobiography of Kashifa Tumasheva, she was born in the year according to the old style in the family of a peasant-sednik village Nuner Zamalefutdinov. As a girl, I was deprived of the land, and in order to get rid of the “extra mouth”, in the year it was given to the “people” by the relatives in the city of Irkutsk, from whom I lived before the beginning of the year.

While at the Rakhmanovs, she graduated from the Tatar madrassah and studied at the Sunday School. Since the year, she began to live independently with different people, in particular, with the teacher of the Sizykh, who gradually prepared me for exams for 5 classes of the gymnasium. In the middle of the school year, I entered the 6th grade of the seven-year Irkutsk gymnasium named after Lyatoskovich and graduated from her in the year.

From the time of withdrawal from the Rachmanovs to a year, I worked as a tutor with children, earning this to my existence, while the training fee was made by a partially charitable society, and with the restoration of Soviet power, I was exempted from the board. With the restoration of the Soviets, I began to work as an artist in the Tatar troupe at the Muslim section of the RCP B in Irkutsk, and in the fall - in Chelyabinsk, an artist in the Tatar troupe and a clerk in the Bashchantrosoyaz.

C to gg.And finally, from a year to the present, I have been working as a director at the Tatar Academic Theater, combining with teaching at the Tatar Theater School ... From the certificate of two years Tumashev-the director and teacher of the Tatgosfilarmony, where the musical and lectern department was organized with her participation. In the Philharmonic, K. Tumasheva managed to deploy great creative activities in the design of concerts-enemies, putting a number of literary and musical compositions on relevant topics: “For the homeland!

In the Philharmonic, the literary evenings of individual artists were also prepared: Yagudin, Smirnov, Yusupova and others. Tumasheva proved to be a capable director with his own directorial handwriting.

Her production was always distinguished by stageness, emotionality, and in ideological and political terms were correctly resolved. They were well perceived and remembered for a long time. This is evidenced by numerous reviews and reviews. Such productions of K. Tumasheva as Kuzlyar based on the play by H. Fatkullin, “Khoja Nasretdin” by N. Isanbet, “The Song of Life” by M.

Amir, “The resourceful young man” by D. Appakova, “Musa Jalil” R. Ishmuratov, “Saldecei” Mazitov, “Khazretov” Shagmuratov is not forgotten until now. They will remain in the history of the theater as a reflection of its best traditions. From the petition of the Tatgosfilarmonia about the confession of the Kamasheva title “Honored Artist of the Tatar Autonomous Soviet Socialist Republic” ...

In public life, Kashif Tumashev always and everywhere manifested itself as an active disciplined worker, was a member of the Partybreettes' City Committee of the RSC in TGAT, the secretary of the party organization in the Tatgosfilarmony was also a member Party control, annually participated in party conferences, party jacks, in gg. From the memoirs of Ravil Rakhimovich Tumashev, also a director, Honored Artist of Tatarstan, son of Kashifa Zamaletdinovna after the opening of the radio committee in Kazan, one of the first took part in his work, becoming the first tatata announcer, while participating in literary and dramatic programs.

Oh, these years, they are still in my memory! There was not even a reproduct in our house. Then dad bought me a tiny detector radio receiver. Under his glass window was a mysterious pebble and a wire with a spring. At the right time, the end of the wire should touch the pebble, and a miracle took place: “Listen! Says Kazan! Kazan says ... RV ... ”, such a cute voice of his mother came, and then Gulsum Apa Suleimanova brought out:“ Ku-ku, ku-ku!

I learned from her that she often invited the young poets who had needed then-Hadi Taktash, Adele Kutuya, Hassan Tufan, saying, for example: “Come on, Hadi, read your poems, you will receive a fee ...” The directors of S. Sarymsakov to the left, K. Tumasheva, R. Ishmurat "Kazan Stories",, year.