The biography of Tori Aimos

Styles of the rock music of Tori Amos called her the second after Kurt Kobein as a cult figure of X and the queen of alternative rock, and her style, which combined the influence of the orchestral meditation of Kate Bush and the mundane poetry of Johni Mitchell with modern trends, gained a lot of fans around the world. The future repeated nominee on Grammy, a musician and singer, who sold more than ten million discs, was born in North Carolina on August 22, under the name of Mayra Ellen Aimos.

Having not yet reached three years, the girl made attempts to seize the family piano. The instrument training was easy for her, and in addition, at four, Mayra began to sing in the church choir. A little later, the little Aimos took part in the musical "Oliver! During her studies at the conservatory, the girl unexpectedly carried away Rock-n Roll, and the new passion cost Mirera scholarships.

Having left the institution, Aimos began to perform in the Washington bars, and upon reaching the age of age, she decided to take care of her career and, taking her stage pseudonym Tori, went to Los Angeles. In the second half of x, the girl managed to settled on "Atlantic", where she, on the advice of the label, portrayed a kind of rocker surrounded by a firing companion.

And although its accompanying composition included such names as Steve Farris "Mr. Nevertheless, Aimos was preserved, and she even led the struggle with the label to find the original style. In the end, the girl managed to convince her employers of changing the direction, and the album" Little Earthquakes ", saturated with spatial and planted under Kate Bush, came out in M.

Piano-ballads became a real breakthrough, both in the creative and commercial plan, and in Mavitsa, it was successful with “Under the Pink”, where such hits as “Cornflake Girl” and “GOD” were sounded, the next time Eimos personally took up the production of Experiments.

And although the reaction of the critics turned out to be ambiguous, the full -length is in second place, both in American and British charts. Tori directed the income from the sale of records to create a studio, and already the fourth album was recorded in her own territory. Unlike the minimalist-forman predecessors, "From The singer released the first compilation of "Tales of a Librarian", taking away 20 favorite songs for her and calling the disk of sound autobiography.

The album "The Beekeeper", which reflected the search for the truth in the balls of lies, mystic, accidents and political manipulations that formed the cultural landscape of America, also turned out to be somewhat autobiographical. In M Tori, I tried to start the fight against bootlegers by legalizing a series of concert records "The Original Bootlegs" with six different performances, and the next year I prepared the FADE to RED video collection and a five-disc boxing box "A Piano: The Colleement", which included as well-known tracks, So the rarities.

Soon after this, the next license studio arrived at the “American Doll Posse”, five ISABEL, Clyde, Santa, Tori, PIP characters appeared on the “American Doll Posse”, which turned out to be different faces of modern Aimos. And if Tori returned to the "The Beekeeper" to the sound of the beginning of the beginning, then the sound again became full-fledged. In M, due to financial disagreements with Epic, the singer passed under the wing “Universal Republic”, where she released the albums “Abnormally Attracted to Sin” and “Midwinter Gracces”-the first of them with suspiciously similar to “Kashmir” number of STRONG Black Vine "showed a departure from conceptual ideas, and the second belonged to the category of Christmas opuses fashionable in the West.

The experiment was continued, and the next year, Aimos prepared the “Gold Dust” record with orchestral processes of its old things. On this, the classics were suspended in the field, and the singer introduced the Unreptant Gereldines program to Mavits, executed in a more familiar manner for her. Last Update