The writer is harsh biography

Remember, your opinion can play an important role in choosing a book by a visitor! Anatoly Alekseevich Surov - the Russian Soviet playwright, the theater critic and laureate of the two Stalinist awards of the second degree, was born on April 10 in the city of Pavlodar Semipalatinsk province of the Russian Empire. In the year he graduated from high school. In years, he worked as a teacher of social science in high school and the head of the district department of public education.

In the years, he was at Komsomol work in Semipalatinsk, and then in the political department of the VSR, the correspondent of the Gudok newspaper, the editor of the Stalin Smena newspaper and the responsible secretary of the Kazakh Pravda editorial office, a member of the editorial board and responsible secretary of the editorial office of Komsomolskaya Pravda, the editor of the Komsomolsky employee magazine, responsible secretary.

magazine "Shift" and deputy editor of the magazine "Art".

Anatoly Alekseevich Surov was engaged in literary activities since the year. He published several articles in the periodical press and wrote a number of plays, which in the post -war years were staged on the scenes of the leading theaters of the USSR. Some productions were awarded Stalin's prizes. At the end of the year, at the All -Union Creative Conference, some speakers, including the theater critic A.

Borshchagovsky, disapprovingly responded about the works of a number of Soviet playwrights, including Surov. Harsh, discrediting, in the opinion of the speakers, the pseudo -creation of the Soviet drama. ” In particular, the plays of Surov “far from Stalingrad”, “Big Fate” and “Green Street” were subjected to criticism. The criticism of the first two plays was incriminated, in particular, A.

Borshchagovsky and Yuzovsky in the infamous article “On one antipatriotic group of theatrical critics”, published in Pravda in January of the year during the so -called “struggle against cosmopolitanism”. Surov, like many other writers, took an active part of the “struggle against cosmopolitanism”, in particular, in the identification of “rootless cosmopolitans” among theatrical critics, A.

Fateev explains this by the fact that “in the delivosive era, it was criticism of the public, influenced the repertoire of theaters, which affected the fees of playwrights.” Surov, V. Zalessky and B. Vdovichenko tried to accuse K. Simonova and B., according to some reports, was engaged in plagiarism and assigning someone else's literary creativity. Anatoly Alekseevich Surov died on November 12.

He was buried in Moscow at the Kuntsevsky cemetery.