Bartnovskaya Irina Biography

Devil, let's leave a really newly -made model alone, let it succeed in this simpler. She has really uniquely fashionable appearance- now the models in the world from the opposite, the worse the more beautiful. But this is initially not a ballet appearance. The requirements in the ballet, in addition to the proportions of the body, are also a small head, small ears are a stage appearance is called.

But this is not the main thing. Look at her on the stage think for yourself, but then I will make you a purely devilish professional analysis. Nothing personal is purely professional. Let him conquer the catwalks of the world, only span from the main theater of the country. I know many worthy girls who really would like to work in this theater, but they either do not take them or do not give them for the sake of this.

But from now on, we are exclusively discussing her profusions for ballet. Everything that this young priestess of the catwalk does on stage looks very vulgar and vulgar. All these grimaces, all poses are trash. On Sisson, the caviar crawled up, which says that there was no legs. About body plasticity can be bitten in a handkerchief. She is like a log, such a shackle. At one time, there was such Lena Vostrotin, who could not control her height, was awkward, but she was very academic and culturally learned and eventually looked like it would not love this expression “tasty”.

Thanks to her training, every movement, each sisson looked flawlessly. Although in her young years she could hardly cope with her body. And then at the force she rushed and was one of the best performers of his choreogafia. And our model has an absolutely barbed body for dance. In statics, it is better- just a kind of fashionable option. There is nothing to do with the ballet on these videos.

Well, take any gymnast, work out with it for six months, put it in the first position or make it make a sisson from a broken leg and there will be the same option. But this is not a ballet, not a dance, it is just execution of movements. She immediately yelled with her case on the pirouette.

But this is half a bastard. But all the poses. It is large, large -scale, it is not necessary to try to hide behind a broken elbow, trying to make yourself miniature. On the contrary, then you need to show it, open your shoulders, feel the case. And then, as they say, the coat is not from the shoulder. I'm talking about this party. We are generally silent about swans.

So far, she’s good just standing somewhere. Over time, it might have grown up to some variations, but not very soon during hard labor. But it is unlikely that there is no ballet in her head at all. And apparently it will not appear. The manner of fulfilling this artist repels all desire to look at the stage. FIG with him with the hugs, they are from non -teachings, the data may be, but that’s all.

Believe me, the scene can not endure everything. But the very first thing that catches your eye, even if we talk about approaches, it now with her physics withstanding competition to her young body. But as soon as the “heavy” dances and more serious and the age will object, and this is inevitable, the faster it will be terribly completely watching. Because the first 10 years of work in the theater, you stupidly sharpen your toe in the theater from morning to night, make the class to the end, surrender to the loss of the pulse on exhausting rehearsals, and then you leave and live the remaining time.

And here the physics will end, the forces will leave and it will be worse. I answer the question why it is impossible to combine the career of an artist of ballet just who came to the theater with everything else. To be continued.